randian | 燃点

Lévy Gorvy is pleased to present a solo exhibition of new paintings by renowned Korean artist Chung Sang-Hwa (b. 1932). Featuring seven recent white monochrome paintings by the artist, this represents the first solo exhibition of Chung’s work in London. >> Read more

"Yee-Haw", 9è exposition de Paola Pivi à la Galerie Perrotin depuis 15 ans, réunit un nouvel ensemble de photographies d'animaux. >> Read more

ASIA NOW, the "boutique art fair" dedicated to contemporary Asian art, will take place from October 19 to 23, 2016, in a new exhibition space located at 9 Avenue Hoche in Paris. >> Read more

Once again, Art Basel was a huge success. Outside, people were swimming in the Rhine under the June sun and sausages were as ridiculously expensive as ever. And there was lots of art sold, often at record prices, if you believe the breathless reports. IF. It is almost pointless writing about Art Basel. Sharing photos, […] >> Read more

Perrotin Hong Kong is pleased to present Lee Seung-Jio’s first solo exhibition in Hong Kong, Nucleus. Born in 1941 in Yongcheon, a village in North Pyeong-An Province, Lee studied painting at Hongik University in Seoul and came to be known as “the pipe artist” or “the nucleus artist,” nicknames given by the first generation of art […] >> Read more

The Solomon R. Guggenheim Museum presents Tales of Our Time, an exhibition featuring nine newly commissioned works by artists born in mainland China, Hong Kong, or Taiwan. >> Read more

The Solomon R. Guggenheim Museum presents Tales of Our Time, an exhibition featuring eight newly commissioned, large-scale works by artists born in mainland China, Hong Kong, or Taiwan. >> Read more

Simon Lee Gallery is proud to present a concise survey exhibition of paintings by Korean artist Yun Hyong-keun, one of the leading figures of Dansaekhwa, in his first posthumous solo presentation in the UK. >> Read more

Axel Vervoordt Gallery Antwerp is pleased to present its solo exhibition of Yun Hyong-Keun (Miwon, 1928 – Seoul, 2007), who was a member of the Korean art movement Dansaekhwa. >> Read more

We are greeted at Heman Chong’s new exhibition with a banner hanging backwards, printed with the words “Welcome!”—the exhibition helpfully explains that its purpose is to “(un)welcome” the audience... >> Read more